After painting, the rice paper is mounted to another sheet of rice paper to form a backing. Silk fabric is employed as a medium for painting. It comes in varied colors like white, gold and greenish gold. He must paint continually with the natural inks to make depth and strength of color. Silk is a medium of the Royalty ; it creates a background of softness and style to any painting.
The traditional folks of Aztecs, Mayans, and Incans all used natural inks. The Chinese also have used natural inks for millenia. Even today it is likely to see these brilliant natural inks still well saved in traditional artifacts of Central, South America, and Asian Nations like Japan and China. The black inks are prepared from the carbon of pine trees that are 400 to five hundred years old mixed with distilled water and a binding agent. As an example, one kind of red ink and turquoise ink are made of different parts of cacti. He had removed the old decaying trees and replaced them with healthy young saplings. You need to have witnessed the place when God had it all to Himself. Like a seed, each thought held in mind has its unique period of germination – often years – before it’ll manifest. Some are with broad strokes and openness of movement whilst others are fine detailed lines but all respect the guidelines of calligraphy and the ideas of Feng Shui. On some his brush may carry more than one color to form a mix of colors. Some of his systems are based primarily on traditional techniques that he has revived in his paintings. Plenty of the birds, flowers, and butterflies are painted with what he calls a high “stress technique” which is done by layering clear paint over and over to create depth and dimension. Ernesto Apomayta – Born and raised in Puno, Peru, Ernesto Apomayta was identified as a creative wonder kid at the tender age of 5.
